Looking for things to do in Hendersonville, NC? Whether you’re a local or just passing through we’ve got loads of great tips and events to help you find your perfect adventure.

Wednesday, June 29, 2022
Bearfootin’ Public Art Walk + Auction
Jun 29 all-day
Hendersonville nc

ince 2003, the Bearfootin’ Art Walk has helped raise funding for Downtown Hendersonville and a variety of local non-profits. In addition to raising funds, the bears offer a window into good work being done by community organizations in Henderson County.

The Bearfootin’ Bears arrive as blank slates before local artists transform each in a spectacular fashion, with creative themes ranging from Mona Lisa to Blue Ridge Mountain scenery. After the “Reveal” event in early May, the bears then take up residence in downtown Hendersonville for the duration of the summer and fall, up until auction. Participants bid during the auction to raise funds for local non-profits and Downtown Hendersonville. Winning bids up to $3,000 are split evenly between the downtown program and the nonprofit chosen by the sponsor, while bid amounts exceeding $3,000 are directed entirely to the non-profit. In 2021, the Bears raised more than $100,000, and in 2022 we hope to continue the tradition of giving.

 

Caldwell Arts Council Seeks Artists for 2023 and 2024 Exhibitions
Jun 29 all-day
online

The Caldwell Arts Council is currently accepting portfolios from local and regional artists for exhibitions in 2023 and 2024. Exhibitions run for six weeks to two months on either floor of the arts council facility.

 

Details for submitting your portfolio are available at www.caldwellarts.com. We have extended the deadline! Digital submissions will now be accepted through July 5, 2022 and may be emailed to [email protected].

 

 

About the Caldwell Arts Council

 

The Caldwell Arts Council is a regional arts center that presents a variety of programs that foster cultural arts in Caldwell County. Our gallery is housed in a historic 120+ year old home. Two floors offer four gallery spaces that have been renovated as professional exhibit spaces. Exhibits range from contemporary to traditional and include 2-D and 3-D exhibitions.

 

The Caldwell Arts Council’s programs are supported by the North Carolina Arts Council, a division of the Department of Cultural Resources and by individual and corporate donors.

 

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Continuum Art Market
Jun 29 2022 – Jan 7 2023 all-day
Continuum Art Gallery

[HENDERSONVILLE, NC, Saturday, September 4th, 2021]
On the first Saturday of each month, Continuum Art hosts an art market to showcase local artists and makers. Ranging in mediums from paintings, to textiles, to jewelry, you’re guaranteed to find something you love! Each market also hosts live music and local caterers. A free, family-friendly event and a great way to check out our space and upcoming events. Visit us from 12-5pm on September 4th!
If you’re interested in vending at one of our art markets, email [email protected] or DM on Instagram @continuumgallerync

GRANT: Betty Taylor Memorial Award for Emerging Artists in Visual Arts and Crafts
Jun 29 all-day
online

Betty Taylor Memorial Award

for Emerging Artists in Visual Arts and Crafts

Betty Taylor took her first art lesson at the tender age of eight, and her love of the Arts stayed with her throughout her life. Betty spent most of her career in Michigan where her work was handled by galleries. It was there that she personally experienced and understood the struggles, persistence, and need for assistance as an emerging artist.

After Betty’s death in 1990, her husband, Ross Taylor, established the Betty Taylor Memorial Fund with Community Foundation of Henderson County to promote and support emerging artists who have financial need and are studying in the field of visual arts and crafts. It is the Foundation’s pleasure to keep the memory and spirit of Betty Taylor alive with the award.

 

Purpose
To promote emerging artists who are in need of financial support and are studying in the field of visual arts and crafts.

The Betty Taylor Memorial Award is funded by Community Foundation of Henderson County, working in tandem with the Arts Council of Henderson County. Applicants for the Arts Council’s Artists Support Grant program will be eligible for consideration to receive the Betty Taylor Memorial Fund award.

Eligibility

  • Individual artists and small, unincorporated groups of collaborating artists
  • Applicants may be either emerging artists or established artists and should possess a strong record of artistic accomplishment appropriate to the stage of the applicant’s career
  • The applicant must reside or work in Henderson, Polk or Transylvania counties for a minimum of one year prior to April 2022.
  • Applicant may not be a board or staff member of any of the sponsoring entities. In addition, the applicant may not be a spouse, family member, or significant other of a board or staff member of any of the sponsoring entities.
  • Applicants must be 18 years of age and not be enrolled in a degree or certificate program
  • Previous Taylor Award recipients are not eligible
  • Each member of a small unincorporated group of collaborating artists must meet the eligibility requirements and shall not circumvent these requirements by applying for what is really a collaborative effort.

Projects
The Betty Taylor Memorial Award is designed to award projects that will advance the applicant’s career as an emerging artist in the field of visual arts and crafts. The relationship of the project to the career advancement of the applicant must be clearly defined in the “Narrative” section of the application. Conducting deeper study is a key element to the Taylor Award, and the applicant will need to elaborate on study method, mentoring, apprenticeships, etc.

International Photo Exhibit
Jun 29 all-day
Ramsey Library Blowers Gallery

The exhibit features thought-provoking photos taken by students, faculty, and staff while traveling abroad.


Accessibility

Find accessibility information for campus buildings at maps.unca.edu. For accessibility questions or to request event accommodations, please contact [email protected] or 828.250.3832.

Visitor Parking

Visitors must have a permit to park on campus — please visit the Transportation website to register.

S.A.S.Y. Art Camps Ages 5-7
Jun 29 @ 9:00 am – Jul 1 @ 2:15 pm
Tryon Fine Arts Center

Our Summer Arts Camp is a one-week encounter with music, visual as well as performing arts. Our campers will be given the flexibility to choose their own art experience. They may want to dabble in the performing arts or take part in the visual arts or perhaps do a bit of both.

Art Extravaganza Friday July 1st
Reception & exhibits 4:30 pm
Final presentation of theater & music students 5:00 pm

  • Having Fun with Art: the students will explore all types of arts, using various media, paint, crayons, etc. It should be an arts blast. Teacher: Lynn Costine – Time: 9:00 AM.

 

  • Animal Art: draw your favorite animal, create a new animal, and make a home for your animal. Drawing, paper wave, 3D paper construction. Teacher: Kendal Stoney – Time: 9:00 AM.

 

  • The Art of Printmaking: Susie Walker will guide our younger set through a fun-filled plethora of printmaking techniques. This will be a no-stress class guaranteed to delight our young artists by creating beautiful works of art. Time: 10:45 AM.

 

  • Music Camp: A gentle introduction to the wonderful fun-filled world of music. Woody Cowan will delight and teach his group lots of fun-filled songs that they can perform for you at our Art extravaganzas on Friday afternoon. Time: 10:45 AM
S.A.S.Y. Art Camps Ages 8-12
Jun 29 @ 9:00 am – Jul 1 @ 2:15 pm
Tryon Fine Arts Center

Our Summer Arts Camp is a one-week encounter with music, visual as well as performing arts. Our campers will be given the flexibility to choose their own art experience. They may want to dabble in the performing arts or take part in the visual arts or perhaps do a bit of both.

  • Origami: Susie Walker will teach you all the ins and outs of the folding world of Origami. In this hands-on class, you will not only learn the methods but you will learn all the practical applications of this ancient old world art. Time: 9:00 PM.

 

  • Drawing: Sharpen your skills with artist Ben Sellers. He will show us the how’s and why’s of pen and ink. Giving you the tools you need to be a better artist. Time: 9:00 AM.

 

  • Theater Camp: Lights, Camera, Action!!                                If acting is your thing or something you would like to explore theater camp will give you an opportunity to act live on stage. We will learn all the mechanics of the live stage.  On the first day, we will assign parts and begin practicing for our play that will be performed on Friday. Every child will have a speaking part, learn about blocking, and all the other aspects of stage performance. Teacher: Clara Rogers – Time: 9:00 AM-12:00  PM.

 

  • Selfies, portraits, and collage: For a total emersion into all the elements of the facial features and then sign up for this class. Teacher, Kendal Stoney’s expert know-how will make it easy to create wonderful portrait artwork. Time: 10:45 AM.

 

  • Mural Painting: Ben Sellers, our hometown professional artist, will lead our young artist in a group effort to create a mural. This colorful experience will be a wonderful creative adventure. Time: 10:45 AM

 

  • Music Camp: Our favorite musical teacher and entertainer, Woody Cowan, will be ready and willing to give you a fun-filled singing experience that will have you toe-tapping and hand-clapping all week long. On Friday afternoon you will join all the other performing artists to show what you know.Time: 1:00 PM.

 

  • Wild & Wonderful Abstract Art: Abstract artist Tina Durbin will impart her love and knowledge of abstract art through her favorite abstract artist- Kandinsky, Piet Mondrian, and Jackson Pollack to name a few. Just have fun and let the world of color and line help you create your masterpiece!Time: 1:00 PM.
Summer Art Camp: (Grades 6–8) Mixed-Media Portraits
Jun 29 @ 9:00 am – Jul 1 @ 12:00 pm
Asheville Art Museum

Jeanne Billfaldt, Untitled (Two Dancers), 1959, oil and encaustic on panel, 9 1/8 × 10 inches. Gift of Colin Post, 2005.20.02.20. © Estate of Jeanne Billfaldt.

Mixed Media PortraitsStudents will explore traditional and non-traditional materials including drawing, painting, and mixed-media processes to create one-of-a-kind portraits.

Please note:

  • Summer Art Camp is held primarily indoors in the Museum’s John & Robyn Horn Education Center.
  • Space is limited to small groups of students; face coverings, social distancing, and frequent hand-washing/sanitization are required.
  • Students can register for morning only, afternoon only, or all-day sessions. All-day camp includes a 1-hour supervised lunch break.
THRIVE ! – an invitational exhibition of small works on paper
Jun 29 @ 9:00 am – 5:00 pm
UNCA Owen Hall

Current students, alumni, staff, faculty, and faculty emeriti of the UNC Asheville Department of Art & Art History are participating in THRIVE ! – an invitational exhibition of small works on paper.

“I wanted to express this idea that despite COVID, and despite our department’s relocation during renovation – art thrives here, it is the constant that cannot be disrupted,” says THRIVE ! curator Leisa Rundquist, professor of art history and curator of art collections at UNC Asheville.

The informal arrangement installation will be displayed in the hallway gallery next to the S. Tucker Cooke Gallery in Owen Hall through August 1.

Viewing is available during open Owen Hall hours. 9:00 AM – 5:00 PM (M – F)

 

Community Expectations
As members of this community, we care about everyone. Faculty, staff, students, and visitors have a shared commitment to take the necessary precautions to avoid spreading COVID-19 while following all recommended health guidelines. Please see UNC Asheville’s Community Expectations. Be respectful of individual choice to wear or not wear a mask in any situation; wear a mask when and where encouraged, following guidelines and precautions outlined by the CDC.


Accessibility

Find accessibility information for campus buildings at maps.unca.edu. For accessibility questions or to request event accommodations, please contact [email protected] or 828.250.3832.

Visitor Parking

Visitors must have a permit to park on campus — please visit the Transportation website to register.

Earth’s Gifts | Focus Gallery Exhibition
Jun 29 @ 10:00 am – 5:00 pm
Folk Art Center

purple patchwork lap quilt

Featured Artists: Jude Stuecker (fiber) Erica Bailey (jewelry) Mary Dashiell (clay) Steve Miller (wood) Rex Redd (clay)

Haywood Community College’s Professional Crafts Program Graduate Exhibition
Jun 29 @ 10:00 am – 5:00 pm
Folk Art Center
Haywood Community College’s Professional Crafts Program Graduate Exhibition
Jun 29 @ 10:00 am – 5:00 pm
Folk Art Center
SETH CLARK SOLO EXHIBITION
Jun 29 @ 10:00 am – 6:00 pm
Momentum Gallery

Seth Clark, Factory

“My work focuses on deteriorating architecture. These structures, designed to be huge forces of permanence, are continually being challenged, destroyed and forgotten. I see an inherent honesty in the face of my subject. Among all of the clutter—the shards of wood and layers of rubble—there remains a gentle resolve. As I work, I study these structures incessantly. The buildings, often on the brink of ruin, have something very energized and present trying to escape from their fragmented reality.”  –Seth Clark

This first solo show of Seth’s work at Momentum’s new space features large-scale works from his BarnGhost, and Aerial View Series.  The collection also includes some of the artist’s sculptural objects in wood.  Abstract works, which still reference weathered architecture, such as Lath Study and Vinyl Study, round out the exhibition.

Skateboard Re-Purposed Exhibit
Jun 29 @ 10:00 am – 4:00 pm
Tryon Fine Arts Center

The synergy of vibrant outsider art created locally and shared with Tryon Fine Arts has resulted
in a one-of-a-kind art exhibit opening June 1, 2022. The Skateboard: Re-purposed includes
works from North Carolina, Oregon, California, England and Germany. Seven artists are
featured, including Tryon’s own Jonathan Caple, Nicholas Harding (England), Matt Mercurio,
George Rocha, Michael Mauney, Paris Evans and Folk Dunker (Gemany).
Skateboarding has been popular for over a century and is now experiencing a resurgence in both

the sports arena and the art world—it became an Olympic sport in 2020 and was part of a
successful 2019 Sotheby’s auction, with boards by, among others, Damien Hirst and Marilyn
Minter.
Skateboards re-purposed as art will be on exhibit in TFAC’s Parker Gallery beginning June 1,
2022. The exhibit will feature skateboard art in many sizes and forms including graceful
sculptures, nature art, chairs, wall art, a crocheted piece, photographs, and more. Several of the
exhibit pieces will be for sale, supporting both the artists and TFAC as the exhibit sponsor.
The public is invited to attend the opening reception on June 9 from 5 – 7 PM, where they can
also meet local skateboard artist, Jonathan Caple. The exhibit will be on display through to the
end of July 2022.
To access the gallery, plan to enter through the Pavilion at the rear of Tryon Fine Arts Center.
Free parking is available behind TFAC and on surrounding side streets. For more information,
call 828-859-8322 or visit www.tryonarts.org.

American Perspectives: Stories from the American Folk Art Museum Collection
Jun 29 @ 11:00 am – 6:00 pm
Asheville Art Museum
 

Jessie B. Telfair, Freedom Quilt, 1983, cotton with pencil, 74 × 68 inches. Collection American Folk Art Museum, NY, gift of Judith Alexander in loving memory of her sister, Rebecca Alexander, 2004.9.1. © Estate of Jessie. B. Telfair, image Gavin Ashworth.
American Perspectives: Stories from the American Folk Art Museum Collection showcases over 80 stellar works of folk and self-taught art including assemblages, needlework, paintings, pottery, quilts, and sculpture. Organized by the American Folk Art Museum in New York, this exhibition will be on view in the Explore Asheville Exhibition Hall at the Asheville Art Museum from June 18 through September 5, 2022.

Everyone has stories to tell from both the private and mutual experiences encountered throughout their lifetime. American folk and self-taught artists capture these stories in powerful visual narratives that offer firsthand testimonies to chapters in the unfolding story of America from its inception to the present. Beautiful, diverse, and truthful; the art illuminates the thoughts and experiences of individuals with an immediacy that is palpable and unique to these expressions. These artworks held meaning in the makers’ worlds filtered through their own perceptions.

The artworks are organized into four sections—Founders, Travelers, Philosophers, and Seekers—that respond to such themes as nationhood, freedom, community, imagination, opportunity, and legacy. Evocative visual juxtapositions and accessible contextual information further reveal the vital role that folk art plays as a witness to history, carrier of cultural heritage, and a reflection of the world at large through the eyes, heart, and mind of the artist.

“While the Asheville Art Museum exhibits many folk and self-taught artists, most are local to the Southeast,” says Whitney Richardson, associate curator. “American Perspectives adds a national voice to the conversation by adding New England, Midwestern, Southwestern, and West Coast artworks that the Museum could never achieve alone. The amount of creative output from folk and self-taught artists was (and still is) on a national level and this exhibition helps to put that into a clear context. Traveling to Asheville from the collection of the American Folk Art Museum in New York, this exhibition will complement and expand the Museum’s ongoing conversations around American history and storytelling through works of art.”

This exhibition has been organized by the American Folk Art Museum, NY, with support provided by Art Bridges. Originally curated for installation at the American Folk Art Museum February 11, 2020–January 3, 2021 by Stacy C. Hollander, independent curator. Tour coordinated by Emelie Gevalt, Curator of Folk Art and Curatorial Chair for Collections, the American Folk Art Museum.

Draped and Veiled Art Exhibit
Jun 29 @ 11:00 am – 6:00 pm
Asheville Art Museum
Draped and Veiled: 20×24 Polaroid Photographs by Joyce Tenneson showcases Joyce Tenneson’s Transformations series, which she began in 1985 and engaged with through 2005. Transformations features partially or fully nude figures poetically presented; Tenneson’s photographs have always been interested in the magic of the human figure, contained within bodies of all ages and emotions in a broad range that are both vulnerable and bold. This exhibition features 12 large Polaroids from the poetic series. Draped and Veiled will be on view May 25–October 10, 2022.
Gillian Laub’s Southern Rites Exhibit
Jun 29 @ 11:00 am – 6:00 pm
Asheville Art Museum
Gillian Laub, Amber and Reggie, Mount Vernon, Georgia, 2011, inkjet print, 40 × 50 inches. © Gillian Laub, courtesy of Benrubi Gallery.

 

 

 

 

 

 

 

 

 

 

 

 

 

American photographer Gillian Laub (born New York, 1975) has spent the last two decades investigating political conflicts, exploring family relationships, and challenging assumptions about cultural identity. In Southern Rites, Laub engages her skills as a photographer, filmmaker, and visual activist to examine the realities of racism and raise questions that are simultaneously painful and essential to understanding the American consciousness.

In 2002, Laub was sent on a magazine assignment to Mount Vernon, GA, to document the lives of teenagers in the American South. The town, nestled among fields of Vidalia onions, symbolized the archetype of pastoral, small town American life. The Montgomery County residents Laub encountered were warm, polite, protective of their neighbors, and proud of their history. Yet Laub learned that the joyful adolescent rites of passage celebrated in this rural countryside—high school homecomings and proms—were still racially segregated.

Laub continued to photograph Montgomery County over the following decade, returning even in the face of growing—and eventually violent—resistance from community members and local law enforcement. She documented a town held hostage by the racial tensions and inequities that scar much of the nation’s history. In 2009, a few months after Barack Obama’s first inauguration, Laub’s photographs of segregated proms were published in the New York Times Magazine. The story brought national attention to the town and the following year the proms were finally integrated. The power of her photographic images served as the catalyst and, for a moment, progress seemed inevitable.

Then, in early 2011, tragedy struck the town. Justin Patterson, a twenty-two-year-old unarmed African American man—whose segregated high school homecoming Laub had photographed—was shot and killed by a sixty-two-year-old white man. Laub’s project, which began as an exploration of segregated high school rituals, evolved into an urgent mandate to confront the painful realities of discrimination and structural racism. Laub continued to document the town over the following decade, during which the country re-elected its first African American president and the ubiquity of camera phones gave rise to citizen journalism exposing racially motivated violence. As the Black Lives Matter movement and national protests proliferated, Laub uncovered a complex story about adolescence, race, the legacy of slavery, and the deeply rooted practice of segregation in the American South.

Southern Rites is a specific story about 21st century young people in the American South, yet it poses a universal question about human experience: can a new generation liberate itself from a harrowing and traumatic past to create a different future?

Southern Rites is curated by Maya Benton and organized by the International Center of Photography.

In Living Color: At Home with Paint, Paper, and Thread
Jun 29 @ 11:00 am – 5:00 pm
Marquee Asheville D11

Image for In Living Color: At Home with Paint, Paper, and Thread

Brighten your walls with with works from Artsville Collective’s upcoming exhibition, “In Living Color: At Home with Paint, Paper and Thread.”  Allow these abstract pieces, in varying sizes and mediums, to light up your life. Collectively, the artwork’s tonal range is of blended neutrals and ventures into spring and fall palettes. Suit your design pleasures with pure color or wabi-sabi textural designs in a range of perspectives from three uniquely talented artists: Betsy Meyer, fibers; Karen Stastny, painting, and Michelle Wise, mixed media. Also showing: the Retro pop art of Daryl Slaton, which can be activated on your phone to reveal an animated story. For a softer approach, consider the mixed media art of Louise Glickman using paint, textiles, and natural plant materials.

Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton Exhibition
Jun 29 @ 11:00 am – 6:00 pm
Asheville Art Museum
 
Left: Thermon Statom, Frankincense, 1999, siligraphy from glass plate with digital transfer on BFK Rives paper, edition 50/50, 36 1/4 × 29 3/8 inches. Asheville Art Museum. © Thermon Statom. | Right: Dale Chihuly, Suite of Ten Prints: Chandelier, 1994, 4-color intaglio from glass plate on BRK Rives paper, edition 34/50, image: 29 ½ × 23 ½ inches, sheet: 36 × 29 ½ inches. Asheville Art Museum. © Dale Chihuly / Artists Rights Society (ARS), New York.
Asheville, N.C.—The selection of works from the Asheville Art Museum’s Collection presented in Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton features imagery that recreates the sensation and colors of stained glass. The exhibition showcases Littleton and the range of makers who worked with him, including Dale Chihuly, Cynthia Bringle, Thermon Statom, and more. This exhibition—organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator—will be on view in The Van Winkle Law Firm Gallery at the Museum from January 12 through May 23, 2022.

In 1974 Harvey K. Littleton (Corning, NY 1922–2013 Spruce Pine, NC) developed a process for using glass to create prints on paper. Littleton, who began as a ceramicist and became a leading figure in the American Studio Glass Movement, expanded his curiosity around the experimental potential of glass into innovations in the world of printmaking. A wide circle of artists in a variety of media—including glass, ceramics, and painting—were invited to Littleton’s studio in Spruce Pine, NC, to create prints using the vitreograph process developed by Littleton. Upending notions of both traditional glassmaking and printmaking, vitreographs innovatively combine the two into something new. The resulting prints created through a process of etched glass, ink, and paper create rich, colorful scenes reminiscent of luminous stained glass.

“Printmaking is a medium that many artists explore at some point in their career,” says Hilary Schroeder, assistant curator. “The process is often collaborative, as they may find themselves working with a print studio and highly skilled printmaker. The medium can also be quite experimental. Harvey Littleton’s contribution to the field is very much so in this spirit, as seen in his incorporation of glass and his invitation to artists who might otherwise not have explored works on paper. Through this exhibition, we are able to appreciate how the artists bring their work in clay, glass, or paint to ink and paper.” 

Useful and Beautiful: Silvercraft by William Waldo Dodge
Jun 29 @ 11:00 am – 6:00 pm
Asheville Art Museum
Left to right: William Waldo Dodge Jr., Teapot, 1928, hammered silver and ebony, 8 × 5 3/4 × 9 1/2 inches. Asheville Art Museum. © Estate of William Waldo Dodge Jr. | William Waldo Dodge Jr., Lidded vegetable bowl, 1932, hammered silver, 6 × 6 5/8 × 6 5/8 inches. Asheville Art Museum. © Estate of William Waldo Dodge Jr.

Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.

William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.

The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.

“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.