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BARRETT DAVIS
For Western North Carolina singer-songwriter/guitarist Barrett Davis, he chose the life of a ragged troubadour. It’s a whirlwind existence of stages and microphones, of anonymous faces in the crowd eager to see what you have to offer, an arduous trek along that lost highway — constantly in search of your inner truths and honest self.
BARRETT DAVIS
For Western North Carolina singer-songwriter/guitarist Barrett Davis, he chose the life of a ragged troubadour. It’s a whirlwind existence of stages and microphones, of anonymous faces in the crowd eager to see what you have to offer, an arduous trek along that lost highway — constantly in search of your inner truths and honest self.
“I just came to this serious point in my life where I realized that if I want to make music and perform, then it’s now or never — I’ve got to make something of it,” the 29-year-old Davis says.
That something is Davis’ latest album, “The Ballad of Aesop Finn,” a vibrant tapestry, meandering from modern Americana to classic country, indie-folk to the “high, lonesome sound” of bluegrass.
The record itself is a kitchen sink of tones — as heard on “Quiver,” “Lazarus” and “Carolina Still” — one which ideally showcases the wide-range and unknown depths of Davis, his musical pursuits and exploits. — Garret K. Woodward